I see lines, curves, shades of grey, and repetition. My brushes are 40 year old mechanical cameras. My canvas is an emulsion of photosensitive silver halide crystals coating a plastic substrate. My gallery is global. Analog and digital imaging technologies extend the reach of regional fine art to an international audience.
I am fascinated by the engineering marvels that surround us. From the simple elegance of canned sausage stacked on a shelf to the power and awe of military hardware or railroad locomotives. There is much to see in shades of grey or splashes of saturated color.
The simplicity of photographic film will prevail no matter what direction the digital world will take. Years after electronic storage media have succumbed to the ravages of time and changing technology, archival quality negatives will always yield a printable image.