I see lines, curves, shades of grey, and repetition. My brushes are 40 year old mechanical cameras. My canvas is an emulsion of photosensitive silver halide crystals coating a plastic substrate. My gallery is global. Analog and digital imaging technologies extend the reach of regional fine art to an international audience.
I am fascinated by the engineering marvels that surround us. From the simple elegance of canned sausage stacked on a shelf to the power and awe of military hardware or railroad locomotives. There is much to see in shades of grey or splashes of saturated color.


