Pacific Northwest

Variations On A Theme

In most communities, a number of churches, chapels, synagogues and mosques dot the landscape. Judaism, Islam, Hindu, and Buddhism are represented here and there, but the most variety is visible within the Christian faith. Baptists, Calvinists, New Life, Lutheran, Roman Catholic. So many varieties yet they all center on a core belief; the death and resurrection of their savior Jesus Christ who died so that they might live.

Sola Fide


After finding this display on a church wall, I began to think that every Christian has had a different experience, even those who have spent most of their lives within the same congregation. Some are conservative and structured like the simple wooden crosses. Some revolve around children like those crosses behind the image of the praying child. Some are lacy and some are flowery. A few crosses are small and barely visible and one cross in particular has a strong eastern orthodox influence. So much variety, but like the large layered cross in the center, they all focus on the risen Christ.

Variations on a theme.

Crab Line

For such a simple critter, cancer magister, or the ubiquitous Dungeness crab, has quite an intricate body structure. Symmetrical. Articulated. Star of the silver screen as an angry alien or loyal friend to a beautiful mermaid. A perfect piece of biological engineering. They spend their time scurrying across the seabed feeding on drifting shreds of spilled shark kill or decaying fish that drift their way. Along with shrimp, they are kind of like the ‘Roomba’ of the sea.

This company of crustaceans were on parade in a fish vendor’s case at the Pike Place Market in downtown Seattle. Soon be be a batch of crab cakes or the principle element of crab rangoon, they stand ready for tonight’s seafood buffet.


Crab Line

This group portrait was taken with a Mamiya C330 twin lens reflex camera loaded with Kodak Plus-X shot at par and developed in Acufine for 3 minutes.

Weather Deck

The Puget Sound in December can be a quiet and lonely place. It’s grey. It’s dark. It’s wet. But there is a strange romanticism found here. The deck lights reflect in long streaks on the deck plates or the clouds reflect in the random pools of water. I can almost see Humphrey Bogart embracing Lauren Bacall along the railing, perhaps in the fog.

Weather Deck

I found this image on the Kingston ferry as I was crossing early on a Saturday morning to collect my son coming home from college ‘back east’ on the Empire Builder. I like the texture in the slats of the bench, the soft grey of the ferry deck and the distant railing running toward a vanishing point at the bow. No lovers strolling to enjoy the maritime scent. No one photographing their friends against the Cascade Mountain range. It’s quite a contrast from the summer tourist months.

Photographed with a Mamiya C330 twin lens reflex camera fitted with a 80mm f/2.8 lens. Shot at f/5.6 at 1/30 second on Kodak Plus-X film. Processed in Acufine for 3 1/4 minutes.

Historical Perspective

Seattle is full of visual surprises. Near the Federal Building on Second Avenue stands a stone arch. At first glance, it appears to be just another monument to some famous building. Looking up from the interior side, modern skyscrapers stand juxtaposed behind this ancient arch to help put Seattle’s history into perspective.


Historical Perspective

Many modern buildings in North America stand on the ruins of once humble settlements that just happened to be in the right place at the right time. Seattle grew from a small gold rush community with rutted mud roads, bad plumbing, and a brothel on every street corner into a major point of entry and transportation hub in little more than a century. The Alaska Gold Rush, the Great Northern Railroad, and Washington’s timber industry propelled Seattle into a thriving metropolis. Later came Boeing, Starbucks, Microsoft, and other international corporations. How long before the next economy builds upon their ruins?

‘Historical Perspective’ was photographed on Arista EDU 400 film and developed in Acufine at par. The camera was a Nikon N80 fitted with a 24-85mm f/4.5 Nikon lens.

Iconic Landmarks

Like the Chrysler Building is New York City and the Golden Gate Bridge is San Francisco, the Space Needle is definitely Seattle. While walking around the downtown area, I spotted this image as I was starting across 5th Avenue. Rather than dig out the camera, set up the exposure and the shot, and risk getting run over while standing in the middle of the road, I calmly walked to the other side, set up the camera, waited for the signal to change, and took the shot while I had the traffic signal in my favor. Photography doesn’t have to be risky.


Monorail Destination

We really see two icons in one. The monorail tracks frame the Space Needle nicely. If the monorail itself came into the shot, it would have been too much. (I know -- I tried) I used a Nikon N80 loaded with Arista EDU 400 film and shot through a Nikkor 24-85mm f/4.5 lens. One of my favorite lenses by the way because it is so versatile. The developer was Acufine.

Horeb


The Hebrews knew it as
חֹרֵב. In Greek, χωρηβ. We know it today as Sinai. It is the mountain from where the Ten Commandments were given to the Israelites. The bush that burned without being consumed. It is the place where the preincarnate Christ spoke to Moses.

The steeple of Saint Luke’s Methodist Church overlooks the Olympic Peninsula from a hillside in Bremerton. The sun dropped below the horizon while illuminating a cloud lingering over the mountains. I couldn’t help but think of what the Israelites saw while Moses was in the presence of God.

Horeb
Horeb

I used a Mamiya M645 fitted with a 70mm f/2.8 Mamiya Sekor lens. The image was recorded on Fujichrome Velvia 100 film. I forgot to record the exposure. I can’t imagine why.

Iron Work

There are very few subjects that actually look good in direct sunlight. Concrete, especially when weathered or mossy, loses some of its texture in the midday sun. Overcast skies help bring out its character. Portraits? Forget it. Even if the sun didn’t bleach the color from a fair skinned subject it is hard to capture the depth in the eyes if they are squinting at the camera. Colorful carnivals or hot air balloons at mid day contrast well against a blue sky, especially on chrome film. Fuji Velvia 100 is my favorite for bringing out supersaturated color and contrast.

I photographed this scene at about 10:00 in the morning because I liked the way the sunlight brought out the fine detail and texture of the iron lamp post. I had to give it a bit of context, so I placed it on the right third of the frame set against a cloudless blue sky with the British Columbia parliament buildings softly out of focus in the background. What struck me was the texture and detail in the iron casting despite the harsh sunlight. The leaves and vines that travel up each side of the provincial crest come out of the shadows and give the lamp post dimension and space.

I used a 70mm f/2.8 lens mounted on a Mamiya 645 camera loaded with Konica Centuria Pro 400 color film. Straight “sunny 16” exposure was the rule.

Parliamentary Lamp Post
Parliamentary Lamp Post

Victoria Victoria

Victoria British Columbia. Beautiful place to shoot. A most noticeable feature is the provincial parliament building near the harbor. It is one thing to see during the day, but quite another at night.

The building is lit by thousands of light bulbs outlining the contours of the arches, domes, and columns. I wish I brought my tripod.

Victoria Parliament Building at Night
Night Facade

Have You Been To Church Lately ?

A couple of years ago, Peace Lutheran Church in the Pacific northwest asked me to photograph their sanctuary for exhibit throughout the church building as part of a remodeling project. This gave me a chance to see the church from a whole new perspective.

The sanctuary of Peace Lutheran has tall translucent purple panels behind the altar that provides a majestic hue, but I didn’t think that it would translate well on chrome film because the rich color would be too saturated in the prints. I could filter it out post-production, but the color in the oak pews would suffer. On the other hand, Kodak TMax 100 monochrome film would mute the color while keeping the detail in the rich oak furnishings and give the prints a nostalgic quality.

I used low angles to photograph the altar and the cross behind it, an overhead perspective to photograph the pews and the organ, and a telephoto lens to compress the distance between the hymn board and the organ. In ‘Sanctuary - 28’, I used color to capture the incandescent light shining on a gold cross framed through the Advent wreathe, which contrasted well against the purple light that blanketed the sanctuary in daylight. ‘Sanctuary - 27’ brings out the cool violet hues of the stained glass. ‘Sanctuary - 21’ won a second place ribbon in the Kitsap County Fair in 2009. My personal favorite is ‘Sanctuary - 13’ with the organist’s spectacles resting on a church bulletin next to the calming structure of the organ keys.

Spectacles resting on organ
Sanctuary - 13


Photographing the sanctuary of Peace Lutheran Church was a most rewarding assignment. The results are on permanent exhibit in the church and the church offices.

One Of A Kind

It is literally one of a kind, unfortunately. I sold it at my last show in Silverdale. It is the silhouette of an old sawmill near where I live. Monochrome. I captured it a few years ago with a Nikon FM2n and a Nikkor 50mm f/1.8 lens. I lost the negative and I only printed it once. I can’t even show it in this post.

The customer thought that it looked like an electric chair, so that is what I named the print. She owns the only copy. The original. You can see it at the Two Bits Barbershop in Old Town SIlverdale. Ask for Jennifer. Tell her Tim sent you.

While you are there, I’m sure that she could help you “get your ears lowered”.

A Day At The Ball Game

A day at a major league baseball game is like a mini vacation.

I’m not much of a football fan. I could never see the point, but I do like a good game of baseball. The Kitsap Bluejackets are nearby and they play a good game, but they just can’t provide the same atmosphere of a major league baseball game. The architecture of the stadium with its long iron beams and the sixty foot scoreboard. “Peanuts! Popcorn! Crackerjacks! Ice cold beer!” You can even hear the trains passing by Safeco Field during the game, which brings many of us back in time to the early days. Nothing beats a day at the game, no matter how the home team is playing that day. My Oh My!

I will never get the kind of access that professional sports photojournalists get on the field, but there are plenty of photo ops in the stands. I snapped a few shots at a Mariner’s home game against the Kansas City Royals a while ago. The Royals got spanked, which was an added bonus to the evening.

No worries Bluejackets. I’ll keep my season tickets at Lobe Field, and the great seats that go along with them, but a day with the Mariners is worth the $100 expense once in a while.

Safeco Field Marquee